Imprint  Back Issues

The first issue of Imprint was published in 1966 as a simple A4 black and white pamphlet. Today Imprint is a high quality multi-page colour journal, one of the few of its kind worldwide dedicated to contemporary printmaking, works on paper, and artist books. Back issues are available for purchase.

STUDIES Play Time by Samantha Thompson PRESS Head to come by Viva Hall ZINE LOVER Queer zone by Bianca Martin   RESIDENCY Across the bay by Mark Graver HISTORIES A contemporary ukiyo-e master by Kira Godoroja-Prieckaerts LEGACY Locating Dürer’s material renaissance by Jenny Spinks TECH TALK Creatively engaging with

Imprint Magazine Volume Vol.59 No.03

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Zine Lover Shelf Life by Amanda Firenze Tech Talk Inside and out by Sophia Szilagyi Project Hybridity and the print as object by Linda Swinfield Studies Evolutions by Odin Strbac Low Legacies Lessons of the floating world by Robyn Ferrell Venture Kaleidoscopic visions by Viva Hall Histories The longed-for pat on the shoulder by Imogen Dixon-Smith Experimental Collective pursuit by David McBurney and Alison Kennedy Tribute A life in print by Cathy Leahy    

Imprint Magazine Volume Vol.59 No.02

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Notebook Australia in Print From the Archive To the edge and back by Helen Mueller Profile The great earth mother in the sky by Nic Brown Zine Lover From print to screen by Gabriel Clark Curatorial Exchanging whereabouts by Rona Green Exchange Expanding the scene by Richard Harding Histories Memory itself by Kirrily Hammond Gothic The British Museum has fallen down by Jayson Althofer Experimental Dirty words by Simon Dubbeld Into the unknown by James McArdle Legacy John Nixon - printmaker by Lizzie Boon

Imprint Magazine Volume Vol.59 No.01

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Notebook Australia in Print From the Archive To the edge and back by Helen Mueller Profile The great earth mother in the sky by Nic Brown Zine Lover From print to screen by Gabriel Clark Curatorial Exchanging whereabouts by Rona Green Exchange Expanding the scene by Richard Harding Histories Memory itself by Kirrily Hammond Gothic The British Museum has fallen down by Jayson Althofer Experimental Dirty words by Simon Dubbeld Into the unknown by James McArdle Legacy John Nixon - printmaker by Lizzie Boon

Imprint Magazine Volume Vol.58 No.04

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Notebook Australia in Print Emerging Artist The magic of discovery by Jordan Smart From the Archive The search for home by Monika Lukowska History An immortal presence by James McArdle Tech Talk Exacting registration by Roslyn Kean Studio Cottage industry by Viva Hall Narratives Profile in black and white by Madeleine K. Snow First Nations The bold colours of Yarrabah by Jack Wilkie-Jans Science A zoonotic twist by Nicola Hooper Zine Lover Five years of  halfway print fest by Kate R. Allman Profile In the detail by Julia Wakefield

Imprint Magazine Volume Vol.58 No.02

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In this issue: NOTEBOOK by Marguerite Brown AUSTRALIA IN PRINT FROM THE ARCHIVE  Oscillations by Helen Kocis Edwards ZINE LOVER  The monsters you need by Alex e. Clark EMERGING ARTIST When it clicks by Quinton Randall TECH TALK Revelations in the making by Peter Ward PROFILE Layers of memory and ink by Daniel Qualischefski CONFERENCE DEEP IMPACT by Carinna Parraman BOOK A life in series by Rebecca Westlund RESIDENCY From the wild ocean by Barbie Kjar BOOK ARTS Closer than printing by Viva Hall FIRST NATIONS  A powerful aura by Paul Uhlmann COVER  Cosmic Bodies by Bruno Leti

Imprint Magazine Volume Vol.58 No.01

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In this issue: NOTEBOOK by Marguerite Brown WORLD IN PRINT AUSTRALIA IN PRINT ZINE LOVER  Crate it up by Luke Sticky ESSAY An aura of  reckoning by Kat Rae EMERGING ARTIST  Lightness of being by Mindy Dore LEGACY  The gift of vision by Dianna Wells  RESIDENCY Changing to survive  by Caren Florance ECOLOGY Engraved matters by Colin Martin EXPERIMENTAL Crossing the line by Rebecca Westlund FROM THE ARCHIVE  Holding fast by Stephen Payne PROJECT Found in translation by Viva Hall TECH TALK Image transfer and the virtual gaze by Annabelle McEwen COVER Gallery 1 [detail] by Mandy Martin

Imprint Magazine Volume Vol.57 No.04

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In this issue: NOTEBOOK by Dr Claire Albert WORLD IN PRINT AUSTRALIA IN PRINT ZINE LOVER Perzines, perhaps by Emma Davidson HERITAGE More than just black by Jacqueline F. Gribbin FROM THE ARCHIVE Human sensorium by Sarah Robinson EMERGING ARTIST  A fine balance by Louisa Bujor ESSAY Undaunted by Victoria Perin PROFILE  Between worlds by Sarina Noordhuis-Farifax AWARD Put it on paper by Rebecca Westlund PCA PRINT COMMISSION 2022 HISTORIES Hot off the press by Linda Judge TECH TALK  Resists are not futile by Hanah Williams ECOLOGY In league across the skyways by Kate Gorringe-Smith COVER  Yingarna [detail] by Glen Namundja

Imprint Magazine Volume Vol.57 No.03

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In this issue: NOTEBOOK by Dr. Claire Albrecht WORLD IN PRINT AUSTRALIA IN PRINT TECH TALK Into a new landscape by Wayne Viney EMERGING ARTIST Method in the making by Lex Palmer Bull ICONS  A different physique by David Greenhalgh PROFILE  Mandy Gunn: Out of the ordinary by Sheridan Palmer FROM THE ARCHIVE  Tracing a circular act by Carolyn Craig BOOK ARTS Compositions in space by Viva Hall ZINE LOVER The kids are alright by Luke Sticky RESEARCH After the fall by Alice Clanachan BOOKS Printed by Caren Florence An encyclopaedic effort by Sasha Grishin FIRST NATIONS A glorious debut by Jack Wilkie-Jans COVER  commission for Wahroonga on Bourke Launceston by Lex Palmer Bull

Imprint Magazine Volume Vol.57 No.02

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In this issue: NOTEBOOK by Marguerite Brown WORLD IN PRINT AUSTRALIA IN PRINT ECOLOGY Gardens of earthly delight by Fiona Fraser RESIDENCY A model for making by Kirrily Hammond FROM THE ARCHIVE Presence and play by Melissa Smith FEATURE Grace and force by Sarina Noordhuis-Fairfax ZINE LOVER Where the wild zines are by Luke Sticky INTERNATIONAL Out of the box by David Ferry EMERGING ARTIST Matrix reloaded by Olivia Baker COLLABORATION A world of its own making by John Hughes ESSAY The maverick maximalist by Victoria Perin TECH TALK A very jolly press by Sarah Robinson

Imprint Magazine Volume 57 No.01

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Imprint Volume 56 Issue 4

Imprint Magazine Volume 56 No.4

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Imprint Volume 56 Issue 3

Imprint Magazine Volume 56 No.3

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Imprint Volume 56 Number 2

Imprint Magazine Volume 56 No.2

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Cover of Imprint Volume 56 Volume 1

Imprint Magazine Volume 56 No.1

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In this issue: NOTEBOOK by Marguerite Brown AUSTRALIA IN PRINT PROFILE Zarina Hashmi by Chelsey O’Brien FIRST NATIONS Nanyak Biyala (spirit of redgum tree) by Belinda Briggs HISTORIES ‘Stalwart of the north’ by Jack Wilkie-Jans ECOLOGY ‘To the ocean’ by Eveline Kolijn RESIDENCY ‘Regeneration’ by Christobel Kelly TECH TALK ‘Between movement and stasis’ by Kate Zizys BOOK ARTS ‘Six albums’ by Sheridan Palmer EMERGING ARTIST ‘Unchartered waters’ by Sorcha Mackenzie

Imprint Magazine Volume 55 No.4

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Imprint Magazine Volume 55 No.3

Imprint Magazine Volume 55 No.3

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Imprint Magazine Volume 55 No.2

Imprint Magazine Volume 55 No.2

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features Emerging Artist Christopher Doyle Tech talk 'The book re-images or re-imagined?' by Martin King Profile 'Megalo: Building for forty years' by Caren Florence Book arts 'Incomprehensible objects' by Paul Uhlmann Experimental 'The Innovators' by Viva Hall Histories 'Making an Impression' by Colin Martin First Nations 'Bringing down the barriers' by Joel Gailer Essay  'Material matters' by Rebecca Beardmore Regional 'Getting real' by Andrew Harper (Cover image: Megan Print Studio and Gallery is celebrating it's fortieth anniversary)

Imprint Magazine Volume 55 No.1

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Imprint Magazine Volume 54 No.4

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features Eyes on the prizes Nicolas Rivet Tech talk Roslyn Kean In the Print Room Andrew Stephens Law of the land Will Stubbs Pulping spaces Melissa Harvey The new stone age Danielle Creenaune A woman's work Pia Larsen profiles Emergent: Rosemary Lee Claire Primrose Peter Haynes Oleg Mikhailov Damon Kowarsky   (Cover image: Cyril E. Power, The Tube Train, c.1934, colour linocut from four blocks, 35.2 38.6 cm. Courtesy National Gallery of Australia, Canberra. Purchased 1990)

Imprint Magazine Volume 54 No.3

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features Muse Morocco Dianne Fogwell Close encounters Clare Humphries Going the distance Kate Gorringe-Smith Under the olive tree Monika Lukowska Making tracks Tessa Beale Wild things Sue Forster profiles Emergent: Millie Mitchell Hertha Kluge-Pott Donata Carrazza Milan Milojevic Lucy Hawthorne David Bosun Nicolas Rivet   (Cover image: Milan Milojevic, Portrait with Flowers (after W.B. Gould), 2018, digital print with screenprint, 65 x 53 cm, edition of 10. Courtesy of the artist.)

Imprint Magazine Volume 54 No.2

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features Bringing the world to its senses Monika Lukowska and Sarah Robinson Close encounters Clare Humphries Myth world Sally Groom Navigating paradise Andrew Stephens Talking in print Rebecca Beardmore Out of the Matrix Richard Harding Resistance is not futile Paul Uhlmann Dawn 'til dusk Damon Kowarsky profiles Emergent: Matthew Newkirk Olga Sankey: On the scent of language Christobel Kelly The Ken Tyler legacy Sasha Grishin   (Cover image: Michael Tuffery, Tupaia and Solander Potaka Ta at Opoutama, 27 October 1769, 2019, hand-coloured woodcit, 50 x 35 cm. From the exhibition Paradise Lost: Daniel Solander's Legacy, Solander Gallery, Wellington, New Zealand.)

Imprint Magazine Volume 54 No.1

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features Registering print's past Kirtika Kain Telling stories through art Paul Uhlmann Universal journey Andrew Stephens Boundary control Carolyn Craig A meeting of minds Denise Salvestro ursula hoff essay 2018 Printmaking in the age of digital reproduction Jamie Derkenne profiles Emergent: Taku (Takuro Yokoo) Dianne Fogwell: A printer's disposition Phil Day Martin King: Where the wildlife falls Nicolas Rivet Anita Angel: Obituary Chips Mackinolty   (Cover image: Martin King, black thursday diaries II, 2018, etching, egg tempera, soot, wax, hard cover book, ribbon)

Imprint Magazine Volume 53 No.4

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features Intimacy of strangers Melinda Rackham The fragility of the urban forest Celia Walker Senses and separation Sally Groom Ben Quilty: printing Andrew Stephens The aberrant artist book Ella Morrison Encounter with people Michael Kempson Picturing the island Marian Crawford Printmaking in the expanded field Rebecca Mayo profiles G W Bot Donata Carrazza   (Cover image: Toni Hartil, Moth Plant, 2018, linocut, 57 x 45 cm. Reproduced with permission of the artist.)

Imprint Magazine Volume 53 No.3

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features Workshop: Printing up Country Theo Tremblay Postcard: Brooklyn to Fiji Peter Lancaster Papermade: Beyond the city limits Doug Spowart and Victoria Cooper Residency: Colby Country Wendy Murray Safety: Trusting the process John Graham Activism: It's all political Susan Tallman Exchange: Flames and flood Donal Sheil Tech talk: Paper plate lithography Millan Pintos-Lopez profiles Emergent: Ben Stephens Andrew Stephens Benjamin Armstrong Andrew Stephens Tate Adams Frances Thomson   (Cover image: Wendy Murray behind a Colby Poster Printing Company archive print at The International Printing Museum, Carson, CA. Photography: Louise Hyatt)

Imprint Magazine Volume 53 No.2

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features Research: Rick Amor catalogue raisonne Andrew Stephens On Process: Mokuhanga Jacqueline F. Gribbin Postcard: Printmaking in paradise Basil Hall Studio: Sunshine Editions Des Cowley Letterpress: The Wimble legacy Donata Carrazza Papermade: Bookplates Caren Florance profiles One work: Glenda Orr Sally Groom Survey: Franck Gohier Wendy Garden Collection: Otto Dix Hannah Hutchison Emergent: Eunju Cho Andrew Stephens   (Cover image: Jon Campbell, Blah Blah Blah, 2017, lithograph, 28 x 38 cm, edition of 10. Printer: Adrian Kellett, Sunshine Editions.)

Imprint Magazine Volume 53 No.1

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features Insight: Hell hunt and the slippery she-wolf Jazmina Cininas Histories: Elemental Will Stubbs Paper-made: Slow looking Marguerite Brown Project: Mungo healing Donata Carrazza ursula hoff essay 2017 Conversations through time Simon Gregg profiles Emergent: Blair Coffey Studio: Millan Pintos-Lopez On process: Ros Atkins Logan Ramsay One work: Annika Romeyn Caren Florance Collaboration: Elisabeth Cummings Michael Kempson   (Cover image: Banduk Marika, Miny'tjinharra (detail), 2006, screenprint, 69 x 46 cm. Reproduced with permission of the artist / Buku-Larrnggay Mulka Centre.)

Imprint Magazine Volume 52 No.4

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features Note to self Andrew Stephens Insight: The great breath of the spirit Emma Busowsky Cox Research: Opportune encounters Elspeth Pitt Legacy: Dear Gilbert Jacqueline Gribbin Project: On the map Perdita Phillips Ecology: From the rivers to the shore Celia Walker Ecology: World travellers Megan McPherson Histories: Voyages and fictions Christobel Kelly profiles Rebecca Jensen Logan Ramsay Underneath the arches: Angela Cavalieri Desperate measures: Belinda Fox Legend: The manga man who carved the waves Andrew Stephens   (Cover image: Paula Gabriela do Prado, detail from altered copy of Paul Gauguin's Noa Noa, in German, printed in 1961 and published by R. Piper & Co Verlag, Munich. Collage, fabric applique and hand painted text.)

Imprint Magazine Volume 52 No.3

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features Tech Talk: Tales of the unexpected Jim Pavlidis Insight: We need to talk about how we talk about print Pia Larsen On process: Upending perceptions Ben Rak Collaboration: Journey into the art of healing Basil Hall Residency: Common ground Big Fag Press Commission: Printing a legacy Hannah Hutchison Ecology: Into the forest Kasia Fabijanska profiles Chainsaws and bathrobes Andrew Stephens Bruno Leti and the rhythm of connection Thomas Middlemost Legacy: Robert Rooney's illusory simplicity Elspeth Pitt Emergent - Light, sound, print: Kate Bohunnis Andrew Stephens   (Cover image: Jim Dine, The kindergarten robes (detail), colour woodcut, 152 x 190 cm, edition 55/75. National Gallery of Victoria collection. Gift of the artist, 2016.)

Imprint Magazine Volume 52 No.2

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features Creative spaces I: What lies beneath Jan Hogan Creative spaces II: Digging deep Wendy McGrath Insight: Across the seas Jenny Sanzaru-Nishimura Ex libris: Own your own Mark Ferson On process: Imagined cities from here to Timbuktu Elizabeth Cross profiles Alex Lundy Andrew Stephens In Conversation: Rebecca Mayo under the gaze of an ancient tree Andrew Stephens Ruth Faerber Sasha Grishin Colin Holden Lisa Sullivan reviews The Sell: Australian Advertising 1790s to 1990s Peter Haynes   (Cover image: Rebecca Mayo, Porous Borders, Impermeable Boundaries (detail), 2017, hemp, wool, natural dyes, sand, 130 x 360 x 38 cm. Photo: Matthew Stanton.)

Imprint Magazine Volume 52 No.1

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Imprint Magazine Volume 51 No.4

Imprint Magazine Volume 51 No.4

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Imprint Magazine Volume 51 No.3

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Imprint Magazine Volume 51 No.2

Imprint Magazine Volume 51 No.2

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Imprint Magazine Volume 51 No.1

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