Q&A

Tasmanian artist Raymond Arnold contemplates his own mortality in his latest project.

Karen Landt-Isley translates a tour of Morocco into an exploration of landscape and Gestalt philosophy.

Rona Green: 30 Years of Printmaking is a landmark exhibition for this talented and committed artist whose explorations in the world of print have been extensive.

Katherine Kennedy explains the practical applications printmakers can explore with the Info-Rail display system.

Tony Ameneiro discusses his new book, ‘Flowers, Skulls & Heads’.

Jan Hogan writes about Frame of Mind, a project organised by Hunter Island Press held at Willow Court, New Norfolk, Tasmania, the site of inspiration.

Laurel McKenzie celebrates the successes of InkMasters Cairns’ Upside Up program, working with Indigenous artists.

David Fairbairn’s new exhibition includes the series ‘Double Lives’, reflecting a long and sustained personal and artistic relationship extending back more than three decades.

The 2021 International Mokuhanga Conference begins today in Nara, Japan. Jacqueline Gribbin surveys its offerings.

Bridget Hillebrand, winner of the Castlemaine Art Museum’s 2021 Experimental Print Prize, discusses her work.