Gary Shinfield: Compeung Thailand
Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.
Gary Shinfield: Compeung Thailand Read More »
Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.
Gary Shinfield: Compeung Thailand Read More »
Jane Giblin explores White Australia and land in her coming show The Earth Muzzle at Colville Gallery, 91A Salamanca Place, Hobart, opening April 27.
Jane Giblin: The Earth Muzzle Read More »
Katie Glaskin discusses her paintings and linocut prints drawing on historical images of thylacines to explore themes of loss, endangerment and extinction.
Katie Glaskin: Scent of a falling dark Read More »
Weaving and printmaking go together in the work of Peter Ward. Interwoven is at Firstation Print Studio April 4-21
Interwoven: Peter Ward Read More »
Gary Shinfield entered a collaborative space with his latest body of work. On show at Art Space, 2 Small St, Willoughby, NSW, 18 April-6 May.
Winsome Jobling: ‘Instability’ Read More »
Megan Hinton discusses her new exhibition United Constructs at Megalo Print Studio + Gallery, until April 7.
Megan Hinton: United Constructs Read More »
Lisa Sewards explores her continuing engagement with parachutes and jellyfish opening at fortyfivedownstairs, 45 Flinders Lane, Melbourne until 17 March.
Lisa Sewards: Thousand kisses deep Read More »
Elaine Camlin discusses her investigations of the minutiae of the organic world. Micro-Worlds is at Form Studio and Gallery until 18 March.
Elaine Camlin: Micro-Worlds Read More »
Editions 2018 is to be the biggest print-exhibition yet for Tacit Galleries at its new Collingwood venue in Melbourne. Director Keith Lawrence talks about the annual go-to event for the printmaking community.
Editions’ at the new Tacit Read More »
I have always worked my ideas across different media: painting, printmaking and drawing. Most often drawing comes first, which will then lead onto a print or a painting.
The Problem by Brent Harris Read More »