Printmaking

Melissa Smith’s new body of work, Without a Sound, explores the rich environments of Lake Sorell in central Tasmania, writes IMPRINT Editor Andrew Stephens.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Kate Gorringe-Smith speaks with Bron Ives, a winner in the Peebles Print Prize at Queenscliff Gallery.

Dr Mark Dustin, Senior Lecturer in Drawing and Printmaking at the Victorian College of the Arts’ (University of Melbourne’s) School of Art, discusses Ligature, a new exhibition online at Megalo Print Studio and Gallery.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Curator Jayson Althofer discusses the new exhibition Light Relief at the Toowoomba Regional Art Gallery.

In a new series of articles, we interview the PCA’s 2021 Print Commission artists about their working spaces.

Andrea Huelin reviews this year’s Inkmasters Biennial Print Exhibition, held in July and featuring Australian and international printmakers.